Saturday, February 27, 2010

Daily Sketches


2.23.10 - This isn't mine. I stole this picture from a Captain America comic. She was a news reporter standing on the side.

The comic only portrayed her from the hips up. I added the feet. And they are pretty terrible.

I don't know WHO picked this chick's outfit. A winter coat with a turtleneck I can understand... but why wear warm clothing that exposes your midriff? I don't get it.


2.24.10 - Not much to say about this one.

Integrals are about the only part of calculus I still remember.


2.25.10 - I remember trying to draw a woman with HUGELY exaggerated hips... I wound up with this sketch, where the hips... actually look about right.

So I was incredibly proud of this sketch, went and showed it off to some friends, who promptly asked, "Where are her boobs?"

Why are women so complicated?


2.26.10 - Andrew likes the steam.


2.27.10 - My sister-in-law saw this sketch and promptly asked, "Why isn't she wearing a bra?"

I tried to exaggerate the "womanly features," as I did before, and I wound up with this bra-less disco-dancing weirdo.

Thursday, February 25, 2010

A Poem: Pornogratification

The poetry slam on Monday night reminded me of a poem I wrote way back when I actually WROTE poems with heavy rhyme and rhythm schemes. This may, by the way, be the most unoriginal poem I've ever written. The entire time I wrote, I had the rhythm to the Red Hot Chili Peppers song "Californication" running through my head. Even the title came from the Peppers, although I did have a little help from the band Extreme (of "More than Words" fame).


Anyway, this is a poem I've pretty much abandoned, so I've got no qualms about posting it on the internet where everyone can judge my artistic ability based solely on this one rejected idea. Enjoy!


Pornogratification
To you, born and raised and by love depraved,
We’re selling you a new sensation.
For dance-floor losers, all you beggars and you choosers
It’s the doctor’s medication.
Stick it to your tongue, and then, oh brother, when you’re done
You’ll be begging us for re-sedation
A silicon injection that’s been boiled to perfection.
It’s a picture perfect presentation.

A late-night fever that’ll burn until you leave her
It’s a spin inside an elevator.
A high-heeled killer gives a dopamine thriller
But don’t last in the refrigerator.
Take it for a spin out and your urges gonna win out,
You’ll need breathing with a respirator.
Our seasonal line up’s guaranteed to keep you tied up
In a color wheel spun theater.

It’s a crackpot innovation for a hedonistic nation
It’s a dollar store revolution.
For a flashy 2D lover drive your senses undercover
And throw Romeo an execution.
To all you Barbie doll believers, know that you’re born to believe us
We’ve got your counter-convolution.
While the good stuff’s overflowing, line up for the final showing,
Soak up the loner’s last solution.

Wednesday, February 24, 2010

S.R. Braddy and the Poetry Slam

For a self-professed poet, I sure do a whole lot of “not writing.” Why, just the other day, I didn’t write a poem about a conversation I didn’t have with a friend I haven’t seen in several years. I didn’t sit down at my not-computer, turn on the not-screen, and write a bunch of non-words on an invisible page. I then didn’t pause for a second, re-unread what I hadn’t written, and de-revise what wasn’t on the page until I hadn’t churned out a literary anti-diamond.

All that means is that I played Playstation while thinking to myself, “I should really be writing something right now.”

I had some pretty big plans at the start of 2010 for my writing, but I seem to have lost a lot of the desire I once had for poeticizing (a word I didn’t know existed until I wrote it). I think a lot of my creative energy has gone from poetry to the sketches I’ve been working on – which is kind of a shame. I mean, I like drawing, but I’m definitely much better at poetry than I am at art. Of course, you could say that I’m pretty bad at both of them, since I’m neither a Shakespeare nor a DaVinci. To that, I say, “Hey… that hurt.”

I recently rekindled my interest in poetry by attending a Poetry Slam on Monday night. The slam reminded me something I’d long forgotten – poetry is a performance. Sure, most poems are written on paper, but that doesn’t mean their meant to be read in silence over Sunday breakfast while light pours in through the window, highlighting the dust specks dancing on the air to the tune of children laughing in the front yard. I mean, I don’t even HAVE a front yard.

The poets at the slam were INTENSE – but not so much that I couldn’t take them seriously. In fact, I think I take them seriously because of how seriously they didn’t take themselves. They laughed, joked, cheered and heckled – all of which I can really get behind.

And, when they read their poetry, they PERFORMED. They beat their fists to the tempo of the text they spat. Their heads bobbed with energy, sometimes even drooping to capture the emotion.

Now, the poems weren’t all perfect. Some were less refined than others – I got the sense that many put more effort into showing off how they could move to their poetry than they did into what they would actually say on stage. And a lot of people seemed to confuse poetry with political preaching – not that there’s not a place for political opinion in poetry, but, if you can’t say what you want to say in a poem artfully, you’re better off writing a letter to the editor.

I felt particularly bad for a gifted man who took the stage and expressed all the fears he had, as a parent, for his children, pulling examples straight from the headlines of violent crimes against minors. His words were powerful, his fears palpable – then he started throwing in descriptions of laws passed in the name of child victims. The effect could have been powerful, but his description of an Amber Alert seemed to come straight from the Wikipedia page – all fact, no art.

I walked out of the slam feeling like a bad poet – not just because I hadn’t written much new poetry in a while, but because the poetry I wrote simply didn’t compare to what I heard delivered on that stage. These were poets who had a real ear for the rhythm of words and the harmony of rhyme – a characteristic often missing from my own verses, which often seem to me to be more like quaint anecdotes than actual poems. Oh, and their poems were much longer than mine. My poems would probably take about thirty seconds to perform, while some of these poems lasted a full three minutes (one poem went for ten, but… well, it wasn’t actually that good).

The conclusion I ultimately came to is that I’m not THAT kind of poet. These writers modeled their work more after the Beat poets, while my poetry is more akin to… some… other poets… that you’ve never heard of… that are awesome and… stuff.

Still, I felt inspired by the experience. I got a couple of ideas from listening to the poetry slammers perform that I may have to turn into full poems some day. I also think I might have to “steal” a few poems that I think I could actually write better. I’ve missed the feeling of being a writer – that false sense of intellectual superiority that comes with the ability to type a clever rhyme on a page.

What I think I’m missing, I think, is a community – and this may be the reason I’ve been so successful with my sketches and NOT with my writing. I have a goal to do a sketch a day, and I have two or three friends that keep tabs on me (and I on them) to make sure I get the sketch done. The writing, though? It’s just me.

I don’t think I’ll ever be part of the Salt Lake City Poetry Slam community – I mean, my hair’s messy, but I don’t have dreadlocks – but I’ll definitely go back for another reading.

Tuesday, February 23, 2010

Daily Sketches


2.19.10 - One of the first women drawings I've ever done free-hand that I'm not totally horrified with.

A few experiments here: the hair, which turned out mostly well (although the girl's bangs almost make her look like she's wearing a ball cap) and the outfit. I find that the sketches I'm proudest of have more attention to the clothes being worn, so I tried to add more detail - layers, rolled-up sleeves, etc.

Also, this chick's got a HUGE head and really tiny arms.


2.20.10 - Dude with a crew cut and a wife beater. Oh, and more really tiny hands.


2.21.10 - Here's another woman sketch that I'm not horrified with. I don't like how the hair turned out, but I was working without a model.

My friend commented that I finally got the hips on the woman right - but I was actually trying to draw a big skirt.

I colored in a lot with my pencil, which caused a whole lot of smudging. Some of it was intentional. The overall effect - less than desirable. But, as an experiment, this sketch is awesome.


2.22.10 - Drew this guy while at a poetry slam. I tried to foreshorten the right arm some - and pretty much failed at it. And by the time I got around to drawing the face, I pretty much gave up.

I should have drawn the hoodie the guy was wearing, but I decided not to, for some reason. Hoodies are pretty fun to draw.

Thursday, February 18, 2010

Daily Sketches


2.14.10 - I set out to draw a guy with a sword. I didn't mean to make his hands so freakishly small.

The hearts were an afterthought.


2.15.10 - I hoped to repeat my success from my 2.13.10 sketch with a female subject. I don't think I did that well.

I still tend to draw women very broad in the shoulder, and I demonstrate a remarkable fear of all anatomy not shared with the masculine sex.

I decided to draw lace on her sleeves. Then I remembered I have no clue how to draw lace.


2.16.10 - Had a lot of fun drawing this guy. I don't know why exactly I opted for the poofy shirt, but I think this works.


2.17.10 - Another Village Inn sketch. Not my favorite. Not even close.

The apple pie and hot chocolate I had while working, though, were amazing.


2.18.10 - Amazing what you can do with half an hour on your lunch break.

I hate this guy's feet. I mean, HATE them. They're hideous, and weird, and they don't even look like real feet.

The thing I'm proudest of with this sketch, though, is that I drew everything as is on the page. I didn't flip the sketch upside down to get the face right - I drew it upside down from the beginning. I think it's awesome.

Wednesday, February 17, 2010

Highs and Lows

Quick life update:

HIGHS

1. I got the opportunity to perform with the Jesters Royale this past weekend. Highlights: I got to play a slinky feminine lounge singer at a truck stop (“Come on, fellas. You know that I’m single. Come to the convenience store and buy me some Pringles”) and a skittish second-date shy Jonah the prophet (“It came to pass that I fled from the Lord, and I was swallowed by a great fish, wherein I could not get reception upon my Sprint wireless device”).

2. Drawing is awesome. That is all.

3. New Year’s goals are coming along pretty well. Haven’t missed a Daily Sketch™ yet. The writing’s coming along less successfully, but still pretty well. I’ve nearly finished two of the six books I’m to read by the end of the year.

4. I’ve been getting a lot of compliments about my voice recently – from patients at the psychiatry clinic to random eavesdroppers at church. Sincere, unsolicited compliments always feel nice.

LOWS

1. Last week, I had one of the worst days of my work life. Eight days later, and I’m STILL pissed off about it.

2. Spoke to a girl at FHE the other day. The activity: making construction paper masks for a masquerade ball. The conversation starter: “So, blue construction paper, huh?” The conversation ender:

…actually, that was it, too.

3. In the past few months, I’ve kissed more guys than girls. They’re all stage kisses, so none of them count in the grand romantic tally of life… but, for a heterosexual male, that’s still a bit of a downer.

Tuesday, February 16, 2010

Things I'll Love Forever: Pushing Daisies

So, Valentine’s Day… Normally, I don’t really get all angsty about Cupid’s annual hunting trip, but this past weekend got me feeling a bit down. Now, I don’t actually know what single guys DO with the “lonelies”… probably involves small furry animals and shotguns. I decided to turn to one of those “Things I’ll Love Forever”: Pushing Daisies.


1 – There’s a lot to be said for a good “high concept” well-executed. For those not in the know: a pie-baker with the power to raise the dead for 60 seconds at a time teams up with a private-investigator-slash-knitter and his reanimated girlfriend to solve murders by reviving the victims and asking who killed them. The premise is creative, a bit quirky, and utterly fantastic.

2 – Despite my rugged and rough-chiseled exterior, I’m a sucker for a good romance. The romance in Pushing Daisies is one of the best I’ve ever seen. Ned – the aforementioned baking resurrectionist – brings his girlfriend Charlotte “Chuck” Charles back to life. Of course, the conditions of Chuck’s resurrection prevent her from ever being able to touch him again without dying. A love story where the lovers can’t actually touch is heartrending and touching in a way no other romance can achieve.

3 – Every single character in the show – from the money-loving egocentric Emerson Cod to Charlotte Charles’s introverted aunts, the Darling Mermaid Darlings – is extraordinarily and lovingly neurotic, but in such an artistic fashion that none of them come off as one-dimensional. In fact, every character – even the bit players with one appearance in a single episode – is so well-crafted that they are instantly and completely developed.

4 – Olive Snook – played by Kristen Chenowith – gets a musical number once every couple of episodes, and… DANG, that girl has pipes!

(I know I said the same thing about Amy Adams. So I guess I have type).

5 – Pushing Daisies has some of the best and brightest visuals I have ever seen in any television show. They’re the closest I’ve ever seen to live action emulating a cartoon in a totally classy way.

6 – Jim Dale’s narration is some of the classiest voiceover work I’ve heard.

7 – I’m a sucker for quality writing, and Pushing Daisies is brilliant. Every line of dialog is peppered with enough spicy alliteration and witty metaphor to make even the bookwormiest of English majors weak in the knees.

Alas, Pushing Daisies died young, leaving plot-threads dangling like Chthulhu’s accursed tentacles. Even so, I’ll love it forever.