Showing posts with label Bibliophilia. Show all posts
Showing posts with label Bibliophilia. Show all posts

Wednesday, January 16, 2013

The Tyranny of Genre


So I like to pretend that I'm a writer, which basically means that I feel guilty about spending all my free time watching reruns of Burn Notice unless I've spent about twenty minutes staring at the blinking icon on my word processor. But I still talk a good game, and so my writing does sometimes come up in casual conversation.

Most of the time, when I mention that I'm an aspiring novelist, I get usually get polite nods and an occasional "Oh, that's nice." The topic of conversation is usually changed quickly thereafter. Every now and then, though, someone will be genuinely interested in finding out more about what I do and will ask some follow-up questions.

Unfortunately, the most common question I get is "What kind of books do you write?"

Okay, the question in and of itself isn't a bad one. In fact, it's one of the few follow-up questions that makes sense ("What does your mother think of that?" is another appropriate choice). However, and maybe this is just the circles I run in, but the question "What kind of books do you write?" USUALLY is code for "Do you write fantasy or science fiction?"

And the answer to that question is usually "Phbphbt!"

The books I have written (and, of course, not published) are each in wildly different genres. One is something of a suspense/murder mystery with elements of urban fantasy. One is a straightforward coming-of-age tale. One is about cowboy pharmacists. So they don't really fit very neatly into any of those fairly narrow genres.

See, cuz when someone says they write "Fantasy," what they actually mean is they're ripping off Lord of the Rings.


When they say "Science Fiction," they mean they're writing Star Trek fanfiction.


Or, rather, Star WARS fanfiction, because nobody understands what sci-fi is actually about.


And, really, there's NOTHING WRONG with these individual stories. LOTR, Star Wars, and Star Trek are all used as prime examples of their respective genres because they happen to be REALLY GOOD.

The problem I have with so-called "genre fiction" is that it tends to ape what came before without bringing anything new to the table. Fantasy stories are all about rugged humans and fat, comic-relief Scotsmen looking for mystic Macguffins. Romance is about horrible people being selfish with each other. Science fiction is about humina bumina boo BUT IN SPACE.

Either that, or they're writing self-referential literature. That's all well and good, but it's really only enjoyable for the initiates. Trust me - you may think your satirical fantasy epic, Lord of the Bling, is HILARIOUS, but it's really only going to entertain those who already love fantasy literature and/or hip-hop.

I think there's a reason college programs frown on genre fiction, since it seems most genre fiction is a simple regurgitation of tropes that were implemented better elsewhere. But, of course, that's not always the case. Some of the greatest novels of the 20th century can easily be lumped into genres: 1984 and Farenheit 451 are both science fiction. The Maltese Falcon is crime noir. You can even make the case that something like Lolita falls into the romance genre, if you're a terrible person.

It seems to me that, while genre is a fairly useful classification for the reader (as long as they don't get into narrow-minded reading ruts), it's less helpful for the writer. Writers should just focus on their story and let the librarians worry about classification. Maybe it's just me, but I feel that writers who write to genre conventions come across as uninspired or derivative. Or maybe I'm just jealous that I've never written anything as wildly successful as Twilight.

Hmm... Twilight in Space... "And so the lamb fell in love with the flesh-eating Martian"... "You're EXACTLY my brand of Plutonian heroin"...

(As it turns out, I'm not the first person to use the phrase "The Tyrrany of Genre." So I probably have some homework reading to do.)

Tuesday, October 30, 2012

What Should I Read Next?


A friend of mine posted a link to What Should I Read Next?, a website which purports to be able to recommend books you should read based on books you've previously read. Now, I've seen this feature at work in a commercial setting, like Barnes and Noble, where they tend not to take too many risks ("If you like The Room Over The Fragrant Roses, you might like The Room Over The Fragrant Roses Strikes Back!"), so I'm a little curious how this website will work. I decided to run through a bunch of the books I've been reading recently, and we'll see what we get back.

Cat's Cradle, by Kurt Vonnegut
  • Without Feathers, by Woody Allen
  • Sharon Osbourne Extreme: My Autobiography, by Sharon Osbourne
  • Lies (and the Lying Liars Who Tell Them): A Fair and Balanced Look at the Right, by Al Franken
The Big Sleep, by Raymond Chandler
  • Sandkings, by George R.R. Martin
  • The Thin Man, by Dashiell Hammett
  • Fat Ollie's Book, by Ed McBain
Still Life With Oysters and Lemon, by Mark Doty
  • Living Well Is the Best Revenge , by Calvin Tomkins
  • State of Denial, by Bob Woodward
  • The Great Cat Massacre: And Other Episodes in French Cultural History, by Robert Darnton
The Hunger Games, by Suzanne Collins
  • The Girl Who Kicked the Hornet's Nest, by Stieg Larsson
  • Angels and Demons, by Dan Brown
  • Catching Fire, by Suzanne Collins
Bossypants, by Tina Fey
  • Kiss of the Spiderwoman, by Manuel Puig
  • Scott Pilgrim and the Infinite Sadness, by Bryan Lee O'Malley
  • The Great Gatsby, by F. Scott Fitzgerald
Pride and Prejudice, by Jane Austen
  • Mary Poppins, by P.L. Travers
  • An Ideal Husband, by Oscar Wilde
  • The Complete Works of William Shakespeare (Abridged), by Adam Long, Daniel Singer, and Jess Winfield
Miss Peregrine's Home for Peculiar Children, by Ransom Riggs
  • Death Comes to Pemberley, by P.D. James
  • Johnny Tremain, by Esther Forbes
  • Diary of Anne Frank, by Anne Frank
Leadership and Self-Deception, by the Arbinger Institute
  • Mind Wide Open: Why You Are What You Think, by Steven Johnson
  • The Fifth Discipline: Art and Practice of the Learning Organization , by Peter M. Senge
  • Purple Cow: Transform Your Business by Being Remarkable, by Seth Godin
Sleeping Freshmen Never Lie, by David Lubar
  • I Am the Wallpaper, by Mark Peter Hughes
  • Star Wars: The New Jedi Order: Enemy Lines 1: Rebel Dream, by Aaron Allston
  • Hitler's Daughter, by Jackie French
Maus: A Survivor's Tale , by Art Spiegelman
  • Feminist Theory: From Margin to Centre, by Bell Hooks
  • From Hell, by Alan Moore, Eddie Campbell, and Phil D. Amara
  • Nausea, by Jean-Paul Satre
The Screwtape Letters, by C.S. Lewis
  • Selected Poems, by Emily Dickinson
  • How Right You Are, Jeeves, by P.G. Wodehouse, Eddie Campbell, and Phil D. Amara
  • Charly, by Jack Weyland

Friday, June 22, 2012

The 100 Most Recommended Classics


A friend of mine posted this list of top recommended books in classical literature. Enjoy.

Titles colored in blue are ones I've read.
Titles colored in red are ones I've read excerpts from.
Titles colored in green are ones which I suspect were made up, because I've never heard of them.
Titles colored in purple are Walden, which is not very good.

Novels and Short Stories

Jane Austen
Pride and Prejudice
•British, 1813

James Baldwin
Go Tell It on the Mountain
•American, 1953

Saul Bellow
Seize the Day
•American, 1956

Charlotte Brontë
Jane Eyre
•British 1847

Emily Brontë
Wuthering Heights
•British, 1847

Albert Camus
The Stranger
•French, 1942

Lewis Carroll
Alice's Adventures in Wonderland
•British, 1865

Willa Cather
My Antonia
•American, 1918

Miguel de Cervantes
Don Quixote
•Spanish, 1605, 1617

Kate Chopin
The Awakening
•American, 1899


Joseph Conrad
Heart of Darkness
•British, 1902


Stephen Crane
The Red Badge of Courage
•American, 1895

Daniel Defoe
Robinson Crusoe
•British, 1719

Charles Dickens
Great Expectations
•British, 1860-61

Feodor Dostoevski
Crime and Punishment
•Russian, 1866

George Eliot
The Mill on the Floss
•British, 1860

Ralph Ellison
Invisible Man
•American, 1947

William Faulkner
The Sound and the Fury
•American, 1929

Henry Fielding
Tom Jones
•British, 1749

F. Scott Fitzgerald
The Great Gatsby
•American, 1925

Gustave Flaubert
Madame Bovary
•French, 1857

E.M. Forster
A Passage to India
•British, 1924


Gabriel García Márquez
One Hundred Years of Solitude
•Columbian, 1967

William Golding
Lord of the Flies
•British, 1954

Thomas Hardy
Tess of the D'Urbervilles
•British, 1891


Nathaniel Hawthorne
The Scarlet Letter
•American, 1850

Ernest Hemingway
A Farewell to Arms
•American, 1929

Zora Neale Hurston
Their Eyes Were Watching God
•American, 1937

Aldous Huxley
Brave New World
•British, 1932

Henry James
The Turn of the Screw
•American, 1898

James Joyce
A Portrait of the Artist as a Young Man
•Irish, 1916

Franz Kafka
The Trial
•Czechoslovakian, 1925

D.H. Lawrence
Sons and Lovers
•British, 1913

Sinclair Lewis
Babbitt
•American, 1922

Bernard Malamud
The Assistant
•American, 1957


Thomas Mann
Death in Venice
•German, 1912

Herman Melville
Moby-Dick
•American, 1851

Toni Morrison
Sula
•American, 1973

Flannery O'Connor
A Good Man Is Hard to Find
•American, 1955

Tillie Olsen
Tell Me a Riddle
•American, 1956-60

George Orwell
Animal Farm
•British, 1945


Alan Paton
Cry, the Beloved Country
•South African, 1948

Edgar Allan Poe
Great Tales and Poems
•American, 1839-45

J.D. Salinger
The Catcher in the Rye
•American, 1951

Sir Walter Scott
Ivanhoe
•British, 1820


Mary Shelley
Frankenstein
•British, 1818

John Steinbeck
The Grapes of Wrath
•American, 1939

Jonathan Swift
Gulliver's Travels
•British, 1726

William Makepeace Thackeray
Vanity Fair
•British, 1847-48

Leo Tolstoy
War and Peace
•Russian, 1865-69

Ivan Turgenev
Fathers and Sons
•Russian, 1862

Mark Twain
The Adventures of Huckleberry Finn
•American, 1886

John Updike
Rabbit, Run
•American, 1961

Voltaire
Candide
•French, 1759

Kurt Vonnegut
Slaughterhouse Five
•American, 1969

Alice Walker
The Color Purple
•American, 1982

Eudora Welty
Thirteen Stories
•American, 1965

Edith Wharton
The Age of Innocence
•American, 1920

Virginia Woolf
To the Lighthouse
•British, 1927

Richard Wright
Native Son
•American, 1940

Drama

Aeschylus
Oresteia
•Greek, 458 BCE

Aristophanes
Lysistrata
•Greek, 411, BCE

Samuel Beckett
Waiting for Godot
•Irish, 1952

Bertolt Brecht
Mother Courage and Her Children
•German, 1941

Anton Chekov
The Cherry Orchard
•Russian, 1904

Euripides
Medea
•Greek, 431 BCE

Johann von Goethe
Faust, Part I
•German, 1808

Henrik Ibsen
A Doll's House
•Norwegian, 1879

Christopher Marlowe
Doctor Faustus
•British, 1604

Arthur Miller
Death of a Salesman
•American, 1949

Molière
The Misanthrope
•French, 1666

Eugene O'Neill
Desire Under the Elms
•American, 1924

William Shakespeare
Hamlet
•British, 1600


George Bernard Shaw
Pygmalion
•British, 1913

Sophocles
Oedipus Rex
•Greek, 430 BCE

Oscar Wilde
The Importance of Being Earnest
•British, 1895


Thornton Wilder
Our Town
•American, 1938


Tennessee Williams
The Glass Menagerie
•American, 1945

Poetry*

Allison, Alexander, Editor
Norton Anthology of Poetry (Shorter Edition)
•British & American

Anonymous
Beowulf
•British, c. 700

Anonymous
Sir Gawain and the Green Knight
•British, c. 1350-1400


Geoffrey Chaucer
Canterbury Tales
•British, 1387-1400

Dante
Inferno
•Italian, c. 1320

Homer
The Odyssey
•Greek, c. 9th C. BCE

John Milton
Paradise Lost
•British, 1667

Vergil
The Aeneid
•Italian, c. 18 BCE

Walt Whitman
Leaves of Grass
•American, 1855

Miscellaneous

Aristotle
Poetics
•Greek, 4th C. BCE

Saint Augustine
Confessions
•Italian, 397-401

The Holy Bible (esp. King James Version)

Charles Darwin
Origin of the Species
•British, 1859

Ralph Waldo Emerson
•"The American Scholar"
•American, 1837

Benjamin Franklin
Autobiography
•American, 1771

Sigmund Freud
Civilization and Its Discontents
•German, 1930

Edith Hamilton
Mythology
•American, 1940

Niccolò Machiavelli
The Prince
•Italian, 1532

Karl Marx
Communist Manifesto
•German, 1848

Michel de Montaigne
Selected Essays
•French, 1580

Plato
Republic
•Greek, c. 370 BCE

Henry David Thoreau
Walden
•American, 1854

*Apparently, there hasn't been any poet worth reading in the last 150 years.

Wednesday, January 4, 2012

If Writers from History Wrote Harry Potter

I stumbled across a link today, speculating what Twilight would look like if written by authors of classic literature. Now, even I'M getting tired of Twilight jokes - they're just WAY TOO EASY to make. Classical literature jokes, on the other hand, will never not be awesome.

If you want to check out the Twilight jokes, feel free, but be warned that, in keeping with the traditions of classical literature, there's a lot of disturbing stuff. For the squeamish types who like their comedy G-rated, here are a couple of my favorites:
  • Virginia Woolf
    The novel takes place over the course of twenty four hours, during which Bella is painting a portrait of Edward and reflecting on how her femininity circumscribes her role within 20th century society.

  • Kate Chopin
    Stifled by her marriage to Edward, Bella has an affair with Jacob and then drowns herself.

  • Lewis Carroll
    Bella takes acid and charts syllogisms.

  • Flannery O'Connor
    When Native American werewolf Jacob threatens her with death, Bella reconsiders her hardcore racism, and just for one milisecond, the audience finds her sympathetic.

  • Annie Proulx
    Edward and Jacob defy society's expectations up in the mountains.
My first thought after reading these was, "Why let these people have all the fun?"

Actually, my first thought was likely, "Heh. Edward and Jacob are gay." My SECOND thought would have been... probably something about Batman. But my THIRD thought was, "Why let these people have all the fun?"

So, with respect to J.K Rowling, here's how the Harry Potter series would have turned out if written by the great authors of classical literature:

  • Charles Dickens
    Harry is a poor orphan who is abused and neglected by an overly industrialized society until Dumbledore, saddened over the increasingly desperate plight of the house elves, offers Harry a chance to escape his poverty by enrolling in school.


  • Mark Twain
    Despite a strong humanitarian message and a clever portrayal of accurate English dialects in text, parent groups protest the Harry Potter series, offended by repeat usage of the racial slur, "muggle."


  • Sylvia Plath
    Hermione attends Hogwarts after winning a write-in contest to the Daily Prophet. Frustrated by the limitations placed on wizarding women by society, she slowly slips into depression. Madam Pomfrey elects to subject Hermione to the experimental and dangerous "Electro Convulsio" spell to break her despondency.


  • Arthur Miller
    When Arthur Weasley's job with the Misuse of Muggle Artifacts office fails to provide the family with enough money to send their youngest children to Hogwarts, he commits suicide so his family can cash in on his insurance policy.


  • George Orwell
    Harry organizes the students of Hogwarts to ward off an attack by fascist wizards led by He Who Must Not Be Named. They fail. Harry is next seen begging for change on the streets of London mumbling the words, "I Love Voldemort."


  • Samuel Beckett
    Headmaster Dumbledore instructs the staff and students of Hogwarts to prepare for the arrival of Harry Potter, rumored to be the only survivor of an attack by He Who Shall Not Be Named. Harry never shows up.

Wednesday, August 17, 2011

The Lists: Top 5 Books

In writing about Hemingway's The Sun Also Rises, I realized that I've read some of the best books I've ever read just in this past year. Just for kicks, I thought I'd write up a quick list of my favorite books - books that I haven't just enjoyed reading, but that have inspired me to try something a little different with my own writing. This is by no means a definitive list - things'll likely shuffle around quite a bit, even in the next year.

So, in no particular order, here are Braddy's Favorite Books (for Right Now):

FAVORITE NOVELS:
  1. Chaim Potok, My Name is Asher Lev
  2. Ernest Hemingway, The Sun Also Rises
  3. Diane Setterfield, The Thirteenth Tale
  4. Anthony Burgess, A Clockwork Orange
  5. William Faulkner, As I Lay Dying
There's value even in the snootiest of literature.

FAVORITE POETRY COLLECTIONS:
  1. Billy Collins, The Trouble with Poetry
  2. Louise Glück, The Wild Iris
  3. William Stafford, Even in Quiet Places
  4. E.E. Cummings, E. E. Cummings: Complete Poems, 1904-1962
  5. Langston Hughes, Selected Poems of Langston Hughes
Just because poetry's obsolete, that doesn't make it not awesome.

FAVORITE YOUNG ADULT LITERATURE:
  1. Laurie Halse Anderson, Speak
  2. Walter Dean Myers, Monster
  3. Nancy Farmer, The House of the Scorpion
  4. Sandra Cisneros, The House on Mango Street
  5. Ray Bradbury, Farenheit 451
Twenty-seven counts as young adult, right?

FAVORITE CHILDREN'S LITERATURE:
  1. Lewis Carroll, Alice's Adventures in Wonderland
  2. Jerry Spinelli, Maniac Magee
  3. Antoine de Saint-Exupéry, The Little Prince
  4. Neil Gaiman, Coraline
  5. Sharon Creech, Love That Dog
How do I distinguish between children's lit and YA lit? Poorly.

FAVORITE GRAPHIC NOVELS:
  1. David Mazzucchelli, Asterios Polyp
  2. Art Spiegelman, Maus: A Survivor's Tale
  3. Grant Morrison, Arkham Asylum: A Serious House on a Serious Earth
  4. Jonathan Hickman, The Nightly News
  5. Stan Sakai, Usagi Yojimbo v. 22: Tomoe's Story
Every list is better if Batman is on it at least once.

MISCELLANEOUS FAVORITES:
  1. Mark Doty, Still Life with Oysters and Lemon (memoir)
  2. Keith Johnstone, Impro for Storytellers (textbook)
  3. Tom Stoppard, Rosencrantz and Guildenstern are Dead (play)
  4. Oliver Sacks, Musicophilia (nonfiction)
  5. Shaun Tan, Tales from Outer Suburbia (picture book)
Some things can't be defined. For everything else, there's MasterCard.

Friday, December 3, 2010

How to Date an English Major


People often ask me (the successful romantic bookworm that I am) how to properly romance the English major. Indeed, dating an English major is a difficult proposition, as English majors are peculiar, temperamental creatures. Luckily, they are also creatures of a particular taste, and that taste is easily catered to. Follow these simple guidelines, and you will soon attract an English major to call your own.

1 – Get a Favorite Author

It shouldn’t come as a surprise to you that English majors read a lot. English majors learned to read voraciously growing up. Experiencing the lives of fictional characters somehow helped them cope with the fact that their fathers never hugged them because they weren’t athletes or cheerleaders. If you want to connect with your English major, you will need to learn to talk books with them.

When selecting your favorite author, proceed with caution. Genre writers are not appropriate choices for favorite authors. The best authors do not write fantasy, horror, science fiction, romance, or mystery. Rather, they write about lonely old men who play dominoes while staring out the window at their attractive young neighbors, then die.

You should never pick an author whose works have been adapted to major Hollywood films. People like J.K. Rowling, Michael Crichton, Dan Brown, and Stephen King may create works of fiction that are easily accessible to a broad audience, but this democratization of literature detracts from the appeal of living in an ivory tower of superiority that so many English majors delight in.

If you choose a favorite author from those you studied in high school, never select the dead white males. When your English major date hears you say your favorite author is Ernest Hemingway, they will assume you read the Cliff’s Notes to The Old Man and the Sea once. You’ll be branded immediately as a faker. You’re better off picking a dead white woman, like Willa Cather, or a dead black man, like Langston Hughes. If your favorite author is a dead woman of a non-white minority, prepare yourself for a downpour of English major kisses, for they will fall in love with you automatically.

2 – Develop a Tolerance for Stupid Ideas

There are two types of English majors: those who say they want to write the great American novel, and those who lie. Every English major has an idea for the best story that anyone has ever read, and, given the opportunity, they will ramble on for hours and hours about the intricacies of the plot that they have all mapped out in their heads. Now only if they could find the time to write…

If you ever inadvertently ask an English major to describe his or her novel, don’t panic. Be prepared to listen, smile politely, and ask questions to show that you’re interested. Basically, do everything you can to keep the English major focused on the brilliance of their plot, while you covertly text a friend to call you with the terrible news that your cat has just been diagnosed with terminal cancer.

Whatever you do, be sure to bow out gracefully, and never point out that their idea is another tired rehashing of The Lord of the Rings. English majors hate that.

3 – Sit Back and Enjoy the Riffing

English majors are notorious for talking during movies. If you’re lucky, you’ll find an individual who will simply content themselves with making the occasional snide remark. These comments are usually short, don’t lead to lengthy discussions, and they can actually be funny from time to time.

Unfortunately, there are those English majors who think their seven-page analysis of Kate Chopin’s The Awakening (complete with annotated bibliography) qualifies them to scrutinize every scene in every film with a keen metaphorical scalpel. Often, these individuals can’t keep their findings to themselves and will share – loudly – with everyone in the room. Plot holes you were once ignorant of will trip you up, Christ figures will populate plots like rabbits, and you will never be able to watch O Brother, Where Art Thou? without thinking of "The Odyssey."

If you’re one of those people who enjoy watching movies in silence, you can still date an English major. You just may have to actually talk to him or her (see #2).

4 – Be Prepared to Learn Your Grammar

Contrary to popular belief, English majors don’t talk solely about grammar when they congregate. However, they DO talk about grammar a lot. Specifically, they talk about how much they dislike people that use poor grammar. If you write your English major crush a note that opens with the line, “I think your pretty,” you can kiss that love match good-by. Therefore, it’s imperative that you learn:

• the difference between “there,” “they’re,” and “their.”
• the proper placement of terminal punctuation in relationship to quotation marks.
• the difference between an adjective and adverb.
• how to end a run-on sentence.
• not to split infinitives
• how to avoid mixed metaphors

You may be tempted to break grammatical rules ironically. Don’t. It doesn’t matter how provocatively you dangle your participles. It’s a huge turn-off.

5 – Don’t Mix Opinions

Like most people, English majors have strong and occasionally irrational opinions. While dating your English major, you are more than welcome to have opinions that differ from theirs. Your opinions aren’t wrong, they’re just… otherly right to the English major’s. Your opinions and theirs will occupy separate spheres. All will be well if the two never meet.

You may from time to time find yourself in disagreement with an English major. If you choose to bring your differing opinion up, remember what happens when matter and anti-matter come in contact. After you’ve spoken, don’t be surprised if your English major explodes.

In the end, it may be wisest to keep your opinions to yourself. True, you may have to seethe for a while inwardly, but in the long run you can be secure in your self-restraint.

Just follow these simple steps, and you’ll have an English major of your very own for the rest of your life. Keep the love alive by serving them a candle-lit dinner on your anniversary and reading the most provocative passages from Strunk and White’s Elements of Style, and every now and again, letting them proofread your emails before you send them.

Best of luck in your five-page double-spaced and properly-formatted relationship!