Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts

Wednesday, June 13, 2012

Things I'll Love Forever: Avatar: The Last Airbender


One of the terrible things about being a geek is the near-overwhelming tendency to obsess over the stuff we enjoy. Thankfully, one of the NICE things about being a geek is the seemingly endless supply of QUALITY stuff to obsess over. So it's with great delight that I take a minute to gush over one of my new favorite programs, Avatar: The Last Airbender.

I'm a little late to the Avatar game - the series ended a couple of years ago. Apparently, there's a spinoff series and some comics in the mix, too, but I haven't indulged in those. I'm talking about the original, three-season story - a fairly standard children's fantasy show with a LOT of sophistication and depth.
  • Honestly, one of my favorite aspects of Avatar: The Last Airbender is its brevity. One of the creators (I have no idea which) said (roughly), "If I were to tell you, 'I have this great story for you - it never ends,' you'd walk out of the room." The creators intended the show to last three years, and then, when they'd told the story they wanted, they ended it. It's admirable.

  • I'll admit to not being a huge fan of the animation, but the character designs for Avatar are excellent. Each character has a distinct flair, yet each also contains elements in their design that link them to their heritage. There's a visual sense of community between members of the same tribe that help to establish a real depth to the world-building the creators have done here.

  • The characters themselves are fantastic. While each character has a distinct set of personality traits, no one is confined solely to their archetypal role (there's no set "comic relief" or "love interest"). Everyone's fully fleshed out, and everyone is given the opportunity to change.

  • Speaking of characters, these guys are the best:


    The dude on the left, Zuko, has one of the most complex character arcs I've seen. He's confused, angry, and frequently makes the wrong decisions. It's pretty awesome. On the other hand, Toph is pretty straightforward. She's tough, rude, a bit gross, and always ready for a scrap. She's a completely un-typical female character, and totally awesome for it.
The tremendous attention to detail and the dedication to telling story above all else set Avatar in a league all its own. Despite overwhelming evidence to the contrary, it may be my favorite animated show ever. Avatar is funny, exciting, and full of enthusiasm, and that's why I'll love it forever.

No relation.

Unfortunate relation that no one mentions at reunions.

Monday, February 6, 2012

Truly Truly Truly Outrageous

Who doesn’t love a lazy Sunday? A whole afternoon to spend reading a good book, hang out with friends, visit family, watch hours of Jem and The Holograms

Wait, what was that last one again?


I don’t know if I was too young or what, but I never really watched He-Man, Transformers, or GI Joe when I was a kid. I missed out on most of the “cartoon designed specifically to sell toys” genre (although I did get a healthy dose of Teenage Mutant Ninja Turtles). I picked up Jem at the library as… I dunno, something of an experiment. I can’t explain why I’ve been so interested in traditionally girly entertainment recently, but here we are.

Okay, so Jem and The Holograms is, surprisingly, pretty bad. Still, holy crap, I actually kinda loved it. I mean, between the sappy dialog, flashy animation, and out-RAG-eous characters, there’s a lot of cheese to fall in love with.

The plot of the show makes NO SENSE at all. Jerrica leads a double-life as stage performer Jem thanks to a sophisticated holographic system her father invented and called Synergy. Why exactly Jerrica has to pull the Hannah Montana routine I was never clear on. For that matter, I never understood why Hannah Montana had to pull the Hannah Montana routine, but whatever.

The Holograms spend their time making 80s-tastic music videos when their not… um… running a foster care center? Meanwhile, their musical enterprises are often sabotaged by The Misfits, a band with no artistic objectives other than to be as horrible as possible. I guess we now know where Kanye West drew his inspiration from.

Thank you, I’ll be here all week.

I think the highlight episode for me was “Danse Time,” in which The Holograms’ lead dancer, named (I &^%$ you not) Danse, sprains her ankle and has to go through months and months of physical therapy before she can walk again. Meanwhile, local billionaire Xanthos (who is NOT, despite the name, a super villain) sponsors a video contest which will award $250,000 to the music act who puts together the best video espousing the virtues of friendship and goodwill. Jem and her band have a great song, but to win the contest they will need Danse’s help. Will their friend be able to dance in time for The Holograms to enter the contest?

Spoiler alert: OF COURSE SHE WILL!

I loved just about everything in this episode. I mean, first of all, there’s Xanthos, who’s got to be the worst philanthropist ever – he decides that the best way to spend his $250,000 to promote world peace is to give that money away to a group that composes a third-rate “We Are the World” knockoff rather than, I don't know, funding a literacy program or something.

Then you’ve got The Misfits, who enter the contest purely for the profit. They decide that the best way to promote peace and friendship is to dress up as candy and perform their song standing inside a giant gumball dispenser. Seriously – this is a thing that happens.

The best part, of course, has to be the drama surrounding Danse’s rehab. The doctor tells her that she may not ever be able to dance again (which would be really unfortunate – she’d have to change her name to Limp). She eventually meets a young man named Sisko, who is blind. They, of course, fall in love, and then they share this bit of dialog.

SISKO – I heard that you’re a good dancer.

DANSE – How did you know?

ME – BRILLIANT!

All joking aside, I was pretty impressed with Jem and The Holograms – not for what it was, but for what it had the potential to be. Since there have been so many updates of “classic” franchises recently, I seriously think it may be time for someone to take a look at Jem and The Holograms. Get some decent musical talent behind it (and hire a decent writer to come up with some convincing motivation for these characters) and there’s a chance that this show could be REALLY good.

I’m not actually volunteering for the writing job, by the way. But if I WERE to write Jem and The Holograms 2012, you’d better believe The Misfits would interrupt an award ceremony to point out Beyonce just wrote the best song ever. Also, I’d probably have to write a guest spot for Andre 3000, just to be groovy.

Friday, July 15, 2011

Gilmore Girls Drinking Game


Back in college I had a roommate who LOVED the television show Gilmore Girls. He was an odd one, sure, but he had good taste. Every now and again, I'd sit down and watch an episode with him. I had a hard time with all the soap-operatics, but I loved the dialog, thick with allusions and delivered so quickly you're liable to get whiplash. It's like porn for English majors, except all the dialog's delivered by pretty women.

So it's like porn.

(Actually, considering Alexis Bledel's character Rory starts the series out at 16, that comparison starts to make me a little uncomfortable.)

I've started watching the series from the beginning and am working my way through season 4 now. I've started to notice some recurring tropes and trends in the way the stories are told, so I figure the best way to relate them is to devise a drinking game... which'll please all two-hundred thousand readers of my blog who are both Gilmore Girls fans AND massive drinkers.
  • Take a SIP every time the background music kicks in with a winsome "La La La."
  • Take a SIP when Lorelai acts less mature than her daughter (Upgrade to a SWIG if that means Lorelai wakes Rory up in the middle of the night).
  • Take a SIP every time a band is name-checked.
  • Take a SWIG every time Rory does something unbelievably nerdy.
  • Take a SIP every time a new character is introduced with only a single quirk or oddity defining their character (Upgrade to a SWIG if that quirk causes the character to have a completely illogical world-view).
  • Take a SWIG every time characters get into a fight for no reason.
  • Take a SWIG every time an author or journalist is name-checked.
  • Take a SWIG every time Lauren Graham is the only "hip cat" in a room full of "squares."
  • FINISH YOUR BEER when a major plot point happens off-screen
That last one bugs me quite a bit. We never get to see most of the break-ups, and most seasons of the show begin with the characters just finishing up some activity that would have been pretty cool to see for a whole episode or two.

Teases.

Tuesday, May 24, 2011

The Three Season Theory

I haven't deemed it necessary to get cable hookup or anything like that in my apartment, so I don't really watch a whole lot of TV. Generally, everything I watch I pick up on DVD, usually borrowed from the library or pilfered from friends. Even so, I've built up a small but significant collection of DVDs.

So I've got this working theory on the quality of television shows: a series is good for only about three years. The first season shows a bit of promise - a hint of the series's true brilliance. The second season, the show hits its stride, cranking out quality episode after quality episode. By the third season, you can usually tell the writing staff has run out of ideas, as the plots get a bit more ludicrous, a bit more far-fetched. The writing and acting is usually GOOD still, but, by season four, things get so whacked out that the series might as well be over.

I've got three (of my personal favorite shows) which I cite when looking at this hypothesis:


The Office

Now, the first time I ever saw an episode of The Office (Season 2's "Sexual Harrassment"), I didn't care for what I saw. That said, after I went back and gave it another try, I found I absolutely LOVED it.

My favorite part of watching The Office was seeing the Jim/Pam/Roy triangle (or the Jim/Karen/Pam/Roy rectangle). By the time Season 3 concluded, that story arc had more or less resolved itself. Once Season 4 rolled around, it became clear that the Jim/Pam story had little room to grow. Meanwhile, Michael Scott's eccentricities had gone almost Tex Avery in their levels of cartoonishness. I decided to move one.

In short, this series is TOO long.

(For the record, I haven't seen a single episode of The Office since Season Five's Superbowl episode, and I don't really miss the show)


Pushing Daisies

Basically, I'm of the opinion that Pushing Daisies is the best thing to have ever appeared on television until someone gets the Rapture on camera. The characters were well-written and charismatic, the stories cute and engaging, and... *sigh*... the series unpopular enough to get cancelled after two seasons.

Really, though, a third season would have been perfect. All those little dangling plot threads that never got resolved could easily be wrapped up in another 12 episodes or so. The world would have been SO much better for it.

I guess we'll just have to wait for the comic book to come out to get any amount of resolution. But, in any case, this series is TOO short.


Arrested Development

Okay, now, in my opinion, Arrested Development ended at exactly the right time.

I understand that puts me in the minority with the Fox executives and... um, nope, that's probably it. Still, I don't know that I would have enjoyed a fourth season of Arrested Development nearly as much as I did the first three.

While the series continued to put out quality episodes right up to the very end, I got the vibe that the writers were really starting to tread water. The characters had all immersed themselves so completely in their neuroses that they were starting to come off as... almost completely unnatural (like an emotional "uncanny valley"). The plots were still great but verging on the unbelievably silly. Finally, those delightful in-jokes which make the series so good were getting to be... a little thick.

What we got, in the end, was about three years of top-notch comedy with no dangling plot threads to drive fanboys nuts. I imagine a fourth year would have been GOOD, but I don't see it being nearly as great as what we've already got. So, yeah, this series is... well, you know by now.

I'm sure there are exceptions to the "Three Season Theory" (Seinfeld and MASH are the most regularly cited), but, for now, I'm standing by this little rule of thumb.

Thursday, April 21, 2011

Top 10 New Doctor Who Episodes (So Far)


Since we're now all about owning up to our interests and not being ashamed...

As a kid I watched old episodes of Doctor Who with my brothers and dad. Of course, the series went off the air right around the time I turned five, so I don't really have a whole lot of memories of the classic series.

Recently I've managed to watch (thanks to some generous brothers and the Salt Lake City Library System) the complete new series of Doctor Who that started back up in 2005. With the sixth series starting up on Saturday, now seemed like a good time to think back on the best of the revamped series and pick my favorites... because why not?

10 – The Lodger


Quote: "No, I'll fix it, I'm good at fixing rot. Call me the Rotmeister. No, I'm the Doctor, don't call me the Rotmeister." - The Doctor

Matt Smith picked up the role of the Doctor last year and, even though he's done a spectacular job, I haven't really taken to the new direction the series has gone in. My pick for the best Series Five episode is the one-shot joke-filled story where the Doctor - an infinitely wise space-faring time-traveller - signs up for a flatshare and lives like a normal human being for a few days. The Lodger is funny, well-written, and, unlike other one-shot joke-filled episodes, contains no references to romantic relationships with blocks of concrete.

If you don't know, you're better off. Trust me.

9 – School Reunion


Quote: "May I introduce... Miss Sarah Jane Smith?" - Mr. Finch

Even though I don't have a lot of connection to the original run of Doctor Who, even I could grasp the significance of reuniting the Doctor with one of his companions from an earlier time. Of course, it doesn't hurt that this episode also features a legion of voracious bat-monsters led by an uber-creepy Anthony Head.

8 – Midnight


Quote: "Oh, Doctor, you're so handsome. Yes, I am. Thank You." - The Doctor and Sky Silvestry

Doctor Who's fourth series didn't do a whole lot for me. Sure, there were a few solid episodes, but most everything else was pretty bland. However, Midnight is a stand-out exercise in terror, pitting the know-it-all Doctor against a terrifying monster he'd never encountered before.

You know that thing you did when you were a kid where you'd repeat everything somebody else said? The monster's like that, except replace the "annoying" with "frightening."

7 – The Empty Child/The Doctor Dances


Quote: "Are you my Mummy?" - The Child

Doctor Who fans place a lot of confidence in now head writer Steven Moffat, and with good reason - his episodes definitely feature some of the strongest character work the series has seen (I've put four of his stories on this list). The Empty Child and its companion episode turn a lonely orphan child into a force of terror, all while showcasing the great range of sadly short-lived Doctor Christopher Eccleston.

6 – Dalek


Quote: "EXTERMINATE!" - Dalek

Daleks have long been a staple of Doctor Who stories - allegedly so frightening that children watched the show from behind the couch cushions. I'd never understood what made these creatures so terrifying...

...until now.

Again, actor Christopher Eccleston does a brilliant job portraying the fear the Doctor feels when he encounters his ancient enemy. The tension between the two is so thick that you WILL believe that an upside-down garbage pail with a wire whisk and plunger taped to it can be scary.

Promise.

5 – Human Nature/The Family of Blood


Quote: "I dream I'm this adventurer. This daredevil, a madman. The Doctor, I'm called." - The Doctor/John Smith

On the run from a family of mercenaries, the Doctor suppresses his alien characteristics and takes on the life of a normal human. Unlike The Lodger above, though, these episodes find a Doctor who no longer remembers who he is. David Tennant has been a fan-favorite as the Doctor, and this episode shows the primary reason for his popularity - he's just a darn good actor.

4 – The Shakespeare Code


Quote: "Banished like a tinker's cuss, I say to thee... Expelliarmus!" - William Shakespeare

It's been a pretty common theme of the new Who series to tell stories about classic monster and give them an extraterrestrial twist. While this formula hasn't worked great for most monsters (vampires are actually giant space fish?), the witches the Doctor faces in The Shakespeare Code seem to work. The spells they wield are built around a science founded in words rather than numbers.

Hey, I know the science is shaky, but if you're watching a series about a time-travelling, shape-shifting alien, you don't ask a lot of questions about it.

Basically, this episode can be boiled down to "The Doctor and Shakespeare team up to fight witches," and that's cool.

3 – The Girl in the Fireplace


Quote: "I just snogged Madame de Pompadour!" - The Doctor

I watched a couple of episodes of Doctor Who with interest, but it wasn't until I saw The Girl in the Fireplace that I thought the series was anything special (and it's a Steven Moffat episode, natch). The clockwork courtisans that make up the episode's villains are a visual treat, the "historical guest star" Madame de Pompadour is played with a lot of heart, and the Doctor... gets drunk and invents the banana daiquiri.

2 – Blink


Quote: ""Don't Blink. Blink and you're dead. Don't turn
your back. Don't look away. And don't Blink. Good Luck." - The Doctor

Steven Moffat excels at turning childhood fears into powerful storytelling tools - everything from darkness to voices under the bed to cracks in the wall are given terrible significance when Moffat's holding the pen.

Blink is basically an entire one-hour episode dedicated to exploring that creepy sensation you get when you think you see something moving out of the corner of your eye, complete with off-putting statues and a strong female protagonist (the episode barely features the Doctor, and you don't really miss him).

***


Now, I'm pretty sure my choice for number one is probably not going to line up with any other Doctor Who fan, but... oh, heck with it.

1 – A Christmas Carol


Quote: "Oh then, what's this? Big flashy lighty thing, that's what brought me here! Big flashy lighty things have got me written all over them. Not actually. But give me time. And a crayon." - The Doctor

Given my well-documented love of A Christmas Carol, I really had no choice.

Although none of the regular season episodes featuring Matt Smith's Doctor did anything for me, his latest outing, where he has to prevent a spaceship from crashing by convincing a bitter old man to just BE NICE for a change, is just about everything I want from a feel-good Christmas story. There's snow, childhood frivolity, a strong yet subtle endorsement for "peace on earth" and all that jazz, and some beautiful Christmas music.

Plus, kudos go to writer Steven Moffat for actually taking a fresh approach to the age-old Christmas special gimmick of visiting angry octogenarians with the Ghosts of Christmas.

I found this particular episode to be full of heart, charm, and enough good surprises to keep me interested. I'd been worried about Matt Smith's Doctor from the beginning, but, with this show under his belt, I've got high hopes for the future.

Monday, January 24, 2011

Wish I Said It First #12

#12

After Sherlock finishes up with a particularly lengthy deduction.

John: "Fantastic."

Sherlock: "Meretricious."

Lestrade: "And happy new year."


Sherlock Episode 3, "The Great Game."

Tuesday, June 15, 2010

Lost Drinking Game


Admittedly, I’m, like, six years behind everyone else. I’m working my way through Lost, borrowing each of the individual seasons from friends and relatives. I’m just about done with Season 5 now, and I have to say, it’s pretty good. I don’t know that I’ll really need to go back and watch the whole thing over again, but I like it so far. A lot of how much I’ll like the series as a whole will depend on how the series ends, but I won’t spend a whole lot of time worrying about that right now (especially since most of you probably already know what happens).

Here’s what I have noticed about Lost, though: it’s predictable. Not necessarily plot-wise – I get the feeling that the show’s creators worked very hard to keep us all guessing. So, yeah, you may not get the EXACT plot twist, but I can guarantee you can see the twist coming. And you may actually be able to predict the exact type of twist that’s coming – so much so that you could probably make a drinking game out of it. Now, I don’t drink, but, if I did, this’d probably get me sloshed pretty quick.

So here’s my set of rules for the “Lost Drinking Game.” Simply take a shot every time:

1. A character is revealed to have “daddy-issues.”

2. A character takes his or her shirt off
a. Take two shots if it’s Sawyer.

3. One character from the plane shows up in someone ELSE’S flashback.
a. Take two shots if the cameo results in some “unexpected relationship” between the two.

4. Benjamin Linus forgets to blink during a take.
a. You can also take a drink if it’s Ethan Rom that forgets.

5. Sayid has a completely out-of-character romance.

6. A new character is introduced with the name of a famous philosopher.

7. A character says any variation of “You don’t know me!” followed by a flashback of that character doing something mildly to moderately despicable.
a. Take two shots if the despicable act is completely despicable.
b. Take two shots if the character is Sawyer.
i. Take four shots if the character is Sawyer and the act is completely despicable.

8. Every time a parent watches as his or her child is threatened/kidnapped/killed.

9. Someone gets sucker-punched.
a. Take two shots if the character that got attacked just agreed to help the person that attacked him or her.

10. A gross-looking baby gets born.

That last one actually happens quite a bit. Seriously, they show women giving birth ALL THE TIME in Lost – Claire, Locke’s mom, Sun – and it’s always disgusting. They don’t romanticize it one bit.

You wanna teach abstinence-only education? Make your kids watch Lost. That’ll fix ‘em.

Monday, January 11, 2010

Weekend Anecdotes

1 – I wrote a rhyming poem on Saturday for the first time in several years. Kinda fun as an exercise, but I’m generally not much for poetry that rhymes. See, to me, rhyming is more like a novelty than a viable poetic device. In improv, we play all sorts of rhyming games:

“I met this guy, and his name was Bob.
He like to eat corn on the cob.
He’s unemployed, so he has no job.
His room is a mess cuz he is a slob.”

And so on.

Rhyming’s too much of a parlor game for me to take it seriously. I leave rhymes to children’s writers like Seuss or Silverstein. Still, it was fun to try.

2 – While I was in the library, looking at the comic books, I was approached by a young woman. She asked if I’d ever considered a career in acting or modeling, then gave me her card. Guess she was a representative of a modeling agency.

I know I should be flattered, but I can’t help but wonder what type of person approaches gawky, lanky guys standing in the comics section of the public library.

3 – I saw the first few episodes of the television show Glee for the first time.

Jury’s still out as to how I feel. On the one hand, half the cast is so delightfully neurotic that they’re a treat to watch. On the other hand, half the cast is so stupidly neurotic that they’re painful to watch.

The writing is funny, but it’s hardly original. A lot of the romance smacks of the same star-crossed spice that flavored the Jim/Pam relationship in The Office. Also, in the very first episode, there’s a joke about a gay couple both… making a contribution in the conception of their daughter. The daughter’s voice over says she’s happy she doesn’t know which of the two is her “real” father, while pictures of the happy family flash across the screen. Of course, the dads are a biracial couple, so it’s pretty obvious which one the real dad IS… I guess the joke’s funny enough. The trouble is that the exact same joke is used in an episode of Arrested Development. So I don’t get a real sense of novelty when I watch the show.

But I’m not gonna lie: I kinda love the music.

4 – During sacrament meeting at church yesterday, I worked on sketching the young woman speaking at the pulpit. I turned out an okay likeness, but, for some reason, the portrait came off looking a bit… mannish. I showed the picture to the girl sitting next to me, who was kind enough to point out what was missing.

“She needs a waist,” she said, “and boobs.”

Then, to help me picture the whole thing, she outlined the figure of a woman in the air with her hands, just so I knew exactly where all the curvy parts are. In case I was having trouble, I guess.

Thursday, March 12, 2009

I'm a Dork, and That's Okay

Sundays are supposed to be a day of rest. For many, that means studying scripture, spending time with family, attending church… well, I did all that this past Sunday, as well as indulged in several hours of gratuitous Doctor Who watching. And I must say that the episode where the Doctor teams up with William Shakespeare to battle witches may now rank on my list of “The Coolest Things in the World” between Jim Halpert asking Pam on a date and Ben and Jerry’s cinnamon buns ice cream. Seriously, if Batman had showed, I might have died of joy.

As much as I enjoyed my evening in the “Who-niverse,” it got me thinking about how many incredibly DORKY habits I have. Even though I claim not to be fanatical about any of them… oh, who am I kidding? I just said “Who-niverse,” for crying out loud.

Now, I say “dorky,” and I mean “dorky,” not “nerdy” or “geeky.” See, a “nerd” is someone completely given over to academics – specifically math and science. “Geeks,” on the other hand, tend to obsess over a single subject, usually something along the lines of Star Trek or comic books. I have a brother who claims to be a “sports” geek, obsessing over stats and team-lineups.

“Nerds” are starting to gain a bit of respect from the mainstream. At least, they tend to find success in their obsessions. As for “geeks,” they may not find quite the fame that nerds tend to, but even their little hobbies get a bit of decent press – mostly favorable. Both “nerds” and “geeks” tend to take at least a little pride in their labels. Nobody wants to be called a “dork.”

So when I say I’m a dork and have a lot of little dorky-quirks, I refer to a lot of different hobbies and interests – some nerdy, some geeky, all a bit socially maligned. Here are probably the dorkiest – and what I find so intriguing about each. We’ll start with one I’ve already mentioned:

Doctor Who

Why it’s dorky –
Let’s look at the premise of the show Doctor Who, shall we? An alien from a planet of time travelers explores the history of Earth with various companions – both human and extra-terrestrial. He does battle with alien overlords, hostile invaders, would-be gods and the rest of the stereotypical sci-fi villains. Doctor Who ranks right up there with Star Trek and Star Wars among the holy trinity of science fiction franchises. It even has a cult following similar to the Trekkies and Jedi Knights – or whatever Star Wars freaks call themselves.

Why that’s okay – Doctor Who is one of those rare victories of substance over style. The show started with a threadbare budget. Case in point: the Doctor’s arch-enemies – an alien race known as the Daleks – were first crafted from upside-down garbage cans mounted on tricycles, armed with kitchen whisks and toilet plungers. Yet when England first saw the Daleks, they dived behind their couch cushions, too scared to watch, too captivated to leave. For the most part – and I’ll admit it’s sometimes hit-and-miss – Doctor Who represents the kind of storytelling I’ve always respected: emotional, engaging, witty, character-driven… not to mention funny (which is always a plus).

Batman

Why it’s dorky – Seriously, a comic book. You know who reads comic books? That guy from the Simpsons. Oh, and President Obama, who’s allegedly a Superman fan. But we won’t hold that against him – his suits are too nice.

Why that’s okay – At its heart, a good Batman story is a good detective story, a psychological thriller. When Batman features in a story, he does more than kick out teeth – although he does plenty of that, too. A Batman story focuses on the psychology of his enemies. The Joker’s mania, Two-Face’s sense of justice, the Scarecrow’s obsession with fear – each represents a primal human emotion, and thus affects the reader personally. The easy example is Christopher Nolan’s The Dark Knight – a deeply troubling examination of man’s evil nature against a backdrop that just so happens to contain superheroes. I could go on about my favorite Batman stories, but then I’d be fawning a bit, I think.

Poetry

Why it’s dorky – Ever seen a poet? They’re pretty freaky-looking: wild, unkempt hair (if they have any), bulbous noses, red from years of acne, droopy eyes – like they’re tired of comparing eggs to starlight, or whatever. As for young poets… well, there’s a character from Stephen King’s The Stand (and if that’s not a dork reference, I don’t know what is) who constantly writes love poetry to some red-headed girl (I swear it’s that chick from The Breakfast Club) who’s… well, just not that into him. So, yeah, poets are nerds that never get the social redemption of having an important job – or a girlfriend.

(By the way, I have to say that I just got about halfway through an episode of Doctor Who that I’m told is one of the best ever, only to have the stupid library disc crap out on me. I’m ticked!)

Why that’s okay – I think I’ve gone over this subject to some extent before, but I’ll hit on why I think poetry’s a big deal here in a few bullet points:

1 - Poetry, like all art, both shapes and defines generations (re: T.S. Eliot’s “The Wasteland” or Alan Ginsberg’s “Howl”).
2 - Poetry evokes powerful emotion – including love. People wouldn’t write love poetry if it didn’t work sometimes.
3 - Poetry challenges the system, encourages thought – and even if it doesn’t change the world, that’s a victory on some level. Look to “Howl” again for an example, or the poetry of Wilfred Owen, Langston Hughes… countless others.
4 - Poetry entertains. Not everyone has a thing for it, but a lot of people enjoy a good Shel Silverstein verse every now and again.
5 - Poetry adds an extra fifty pages of material to The Lord of the Rings that nobody actually reads.

Okay, other than that last one, they’re all valid points.

Silent/Black and White Films

Why it’s dorky – Ever been to a party, only to have the host pull out some Bing Crosby for everyone to dance to? Same with old black-and-white pictures. Sure, they were cutting-edge at the time they came out, but now they’re too old-fashioned. Anyone who likes them must be a square, right?

Why it’s okay – Yeah, they’re probably square-ish. Still, most silent films age remarkably well. I’ll tell you this: Buster Keaton’s The Cameraman is definitely funnier than anything I’ve ever seen with Will Farrell. It’s difficult to tell a story without dialogue, but not impossible. When you watch a silent film CORRECTLY – with the appropriate organ music backing it up – you learn to appreciate the importance of body language in human communication. Besides, some of the best of these old films – like Charlie Chaplin’s Modern Times – still do an able job of pointing out flaws in our current society. We haven’t changed THAT much.

Dr. Horrible’s Sing-Along Blog

Why it’s dorky – First strike: it’s another superhero story. Technically, yes, it’s the story of the villain, but it’s still all… comic-y. Second strike: it’s in the form of a video blog – the “morning glory” of YouTube. Third strike: it’s by Joss Whedon, the father of Buffy the Vampire Slayer and Firefly, two bottomless sources of nerd-fodder. And fourth strike (I was never very good at baseball): it’s a musical. *shudder*

Why that’s okay – Dr. Horrible turns the superhero genre on its ear just a bit by asking the viewer to sympathize with the villain. And you do: Dr. Horrible is a shy, nervous young man, yet a bit charming in that way shy young men are in movies. Meanwhile, his antagonist, Captain Hammer is self-righteous, narcissistic, condescending, and a bit of an idiot. Dr. Horrible’s goals are a bit misguided, yet we understand his motivation. He wants to change the world for the better. Captain Hammer (and mind you – he’s the hero) saves the day mainly for the prestige it brings him. And then the two fight over – what else? – a girl. By the end, you’re cheering for the super villain – you want Dr. Horrible to win. Yet, at the same time, he IS evil, and goes to horrible (can’t believe I just did that) lengths to achieve his ends. When you cut away the drama, you see Dr. Horrible is nothing more than a thief, a murderer… an extremist. What the villain does is wrong – there’s no way around it – but you start to see through his eyes, start to understand WHY he does what he does. A little compassion for those deemed to be “the enemy” could do the world a lot of good these days.

The Powerpuff Girls

Why it’s dorky – Again, superheroes. Drawn in a style heavily influenced by anime. About three little girls. Who fight a monkey super-genius.

And I’m twenty-four years old.

Why that’s okay – As a freshman in college, I wrote a paper arguing the social and cultural relevance of contemporary cartoons like The Powerpuff Girls. I’m going to come clean here and say I was completely full of crap. It’s a cartoon – there’s not really some agenda behind the series that’ll improve the human race. It’s not really art – although I will say it pushes the boundaries a bit when it comes to what you can and can’t do in a “kid’s show.” It’s just fun, and, really, what’s wrong with a little fun now and then?

Now, we’re on to the biggest question of all:

WHY SHOULD YOU CARE ABOUT ANY OF THIS?

And the answer: you shouldn’t.

I think I’ve mentioned this before, but a person isn’t defined by their tastes and interests. My interest in Doctor Who doesn’t make me a drooling, acne-ridden fan-boy (although the acne and drooling certainly don’t help that image). You may never understand why I like comic books or literature more than sports and dancing. By the same token, I’ll never understand why you like Better Off Dead so much, or Leona Lewis’s “Bleeding Love,” or… I dunno, football. But we can still be friends, right?

No, didn’t think so. Come back after you can admit that Better Off Dead is a stupid, stupid movie. Then we can get to making those boondoggle key chains.

P.S.: Happy Birthday, Dad!

Friday, February 20, 2009

The Lighter Side of Art

Recently, I’ve been in a pretty good mood. One could almost describe my disposition as “sunny” – but if I hear anyone say that, I’ll probably rip their throat out with my hands, which I’ll then have to wash compulsively until my hands dry out and crack. So for both our sakes, let’s just stick with “I’m in a good mood.”

Happiness in the middle of winter is kind of a big deal. I doubt I could be diagnosed with SAD, but I’m still generally much more depressed during winter than any other time of year – especially post-Christmas. Shoot, I’ll go ahead and say even during December, but I pretend to be jovial out of fear that, if I’m cranky, Santa’s reindeer will crawl in through my bedroom window and gore me with their merry antlers. Fa-la-la, indeed.

During my most recent battle with the mid-winter blues, I tried to fight them off by watching a few episodes of Pushing Daisies that I borrowed from the library. For those of you that haven’t seen Pushing Daisies… well, I won’t try to explain it all here, but if Roald Dahl and Lorelai from The Gilmore Girls had a daughter, and if that daughter went on to have a son with Tim Burton, and THAT child grew up to be a pie-maker with the ability to raise the dead, then the Hallmark channel would probably make a movie about him called Pushing Daisies: The Ned Piemaker Story, and then Bryan Fuller’s delightful television series would never have been made. So I guess it’s a good thing that Roald Dahl died in 1990 and Lorelai Gilmore is fictional.

Anyway, so I watched Pushing Daisies one Sunday morning, and, for some reason, I could NOT stop laughing. I laughed and laughed and laughed until the characters on the screen stared out from the TV and said, “Seriously, dude, we appreciate the support, but it really wasn’t THAT funny.” I felt pretty foolish after that, but the laughter already had the appropriate effect: I felt much better.

Now that you’ve stuck around now for four paragraphs, it’s time I rewarded you with THE POINT: I used to think that, to be of merit, a work of fiction or art in general had to be weighty, cerebral, and, in some way, “literary.” In case you’ve forgotten, here are the characteristics of “literature”:

1 – The good guys don’t always win.
2 – Good storytelling is less important that making a point.
3 – Everyone has sex all the time, and no one likes it.

Don’t get me wrong – I definitely consider Pushing Daisies artistic. In fact, it’s one of the best television series I’ve ever seen, and I collect The Muppet Show. But it’s not what I’ve always considered to be “high” art. And yet, it made me feel better than most of the “high” art I’ve read.

“High” art – say, a book like 1984 – may change the world, but read too much of it and you’ll start downing Zoloft tablets like they’re Smarties. I mean, there’s probably a reason why so many of the great writers committed suicide – look at Ernest Hemingway, Anne Sexton, and, of course, Sylvia Plath. “High” literature, the kind most often canonized in the Norton Anthologies, tends to be depressing.

But real “art” doesn’t have to be. There’s a lot of good to be said for that which merely entertains. For some, that entertainment, that little fanciful bit of laughter, can heal – an emotional salve. Pushing Daisies didn’t exactly change my life, but it provided me with exactly the kind of release I needed at that moment.

So with that, I thought I’d share with you a poem that actually HAS changed my life: “Special Glasses,” by Billy Collins. Let me give you a bit of back – story first. When I go to buy a new book of poetry, I generally don’t have a specific poet in mind. I browse the titles for something that catches my attention. I flip that book open to a random page in the middle, and I read the poem there. Sometimes I’ll look at a few more, but, generally, if that first poem I read doesn’t engage me on some level, I don’t buy the book. The first time I tried this technique, I found Collins’s The Trouble with Poetry. Now, it wasn’t the title that caught my attention so much as the book itself – my copy is cut like a rhombus, not an actual rectangle. But the quirkiness of a publisher’s error was enough to get me to open the book and read.

The way I was feeling that day I picked up the lopsided book with the bear on the cover, “Special Glasses” was exactly the type of poem I needed to read. At the time, I was going through a break-up (of course, I’d been going through that break-up for over a year by this point. My therapist says I’m getting better). I was also finishing up my final year at Utah State, where I’d immersed myself for years in the idea that “art must be deep.” Then I read Billy Collins. For the first time in a long time, I felt that release, that catharsis that comes from “light” entertainment

So, without further ado, “Special Glasses.” I hope you enjoy it.

I had to send away for them
because they are not available in any store.

They look the same as any sunglasses
with a light tint and silvery frames,
but instead of filtering out the harmful
rays of the sun,

they filter out the harmful sight of you --
you on the approach,
you waiting at my bus stop,
you, face in the evening window.

Every morning I put them on
and step out the side door
whistling a melody of thanks to my nose
and my ears for holding them in place, just so,

singing a song of gratitude
to the lens grinder at his heavy bench
and to the very lenses themselves
because they allow it all to come in, all but you.

How they know the difference
between the green hedges, the stone walls,
and you is beyond me,

yet the schoolbuses flashing in the rain
do come in, as well as the postman waving
and the mother and daughter dogs next door,

and then there is the tea kettle
about to play its chord—
everything sailing right in but you, girl.

Yes, just as the night air passes through the screen,
but not the mosquito,
and as water swirls down the drain,
but not the eggshell,
so the flowering trellis and the moon
pass through my special glasses, but not you.

Let us keep it this way, I say to myself,
as I lay my special glasses on the night table,
pull the chain on the lamp,
and say a prayer—unlike the song—
that I will not see you in my dreams.

Tuesday, February 3, 2009

Introduction to Me

So there's this meme going around on Facebook right now - and I swore I'd never participate. Well, turns out I'm a sucker. One of my friends who's been home sick today practically begged me to fill it out.

I've been blogging for a while on Facebook, but I've been thinking about "expanding." I guess this meme gives me a good jumping-off point.

Here it goes: Twenty-five things you probably never knew about S.R. Braddy:

1 – I won my first poetry contest back in second or third grade – basically by rewriting the lyrics to a Sesame Street song performed by *shudder* Elmo.

2 – In high school, I sang bass in a five-man a cappella group called “The Grasscutters.” We got the name from my friend’s mom. On the CD we eventually cut, you can hear my voice crack during “In the Still of the Night.”

3 – To date, I’ve participated in six musicals: Oklahoma!; Kiss Me, Kate; Li’l Abner; Once Upon a Mattress; Anne of Green Gables; and Seven Brides for Seven Brothers. I love doing musical theater, but I hate watching it.

4 – I also love to sing classical music (especially in Italian), but I hate listening to it.

5 – My first crush was on a girl named Angela Slagowski in sixth grade. As a result, I think everyone should have a crush on someone with a Polish surname at least once in their lives.

6 – I have trouble reading books longer than 250-300 pages. I love stories, and I’m impatient to finish one and get on to the other.

7 – I majored in English, I took an entire class on Shakespeare, I’ve been in Shakespearean plays, and I read Shakespeare for fun… and I’ve never read Macbeth.

8 – My favorite moment in video games is in Final Fantasy III (FFVI, if you’re a purist): Celes Chere, an Imperial general, performs an opera.

9 – I love lighting squirrels on fire in Psychonauts.

10 – I memorized the closing theme song to the game Portal before ever actually playing the game.

11 – Most of the love poetry I’ve written (to date) has been written about one girl. She knows who she is.

12 – I’ve written at least two poems inspired by my mom’s cooking. It’s that good.

13 – I watch The Office almost solely because I love the relationship between Jim and Pam.

14 – While growing up, I was actually jealous of how much our cat, Otis, liked my little brother. Of course, Otis probably hated me because of how often my friend Mike and I would tackle him while screaming, “Murder the cat!”

15 – Nothing makes me angrier than doing poorly at a video game.

16 – I started college as a junior with over 60 credits.

17 – I changed my major and minor about five times and still graduated in four years.

18 – Since my favorite comic book stories have been running since the 60s or longer, I pick and choose which storylines I consider to be “canon,” regardless of whatever the companies themselves say.

19 – I’m secretly glad that Pushing Daisies got cancelled before it ran out of steam, and I hope the same thing happens to The Office.

20 – I actually want to be a Sunday School teacher in my church.

21 – I practice an evil super-villain cackle when I’m by myself – even when I’m outdoors.

22 – The most rewarding thing for me about doing the musical Seven Brides for Seven Brothers was learning to do handstands. I still do them.

23 – During my first year at college, two of my favorite television shows were Blue’s Clues and Hamtaro, an anime aimed at 6-year-old girls.

24 – I caught all 150 of the original Pokémon. (By the way, I must point out that Microsoft’s Spell Check actually caught the accent in the word Pokémon)

25 – I care enough about spelling things correctly to add the accent to the word “Pokémon” when prompted to by Spell Check.