Friday, November 30, 2012

World's Worst Lyrics: Carry On

The Culprit

The Offending Lyric

Woah,
My head is on fire
But my legs are fine.
After all, they are mine.


Why is it bad?


That's why.

Poem of the Week

Father

May 19, 1999

Today you would be ninety-seven
if you had lived, and we would all be
miserable, you and your children,
driving from clinic to clinic,
an ancient fearful hypochondriac
and his fretful son and daughter,
asking directions, trying to read
the complicated, fading map of cures.
But with your dignity intact
you have been gone for twenty years,
and I am glad for all of us, although
I miss you every day—the heartbeat
under your necktie, the hand cupped
on the back of my neck, Old Spice
in the air, your voice delighted with stories.
On this day each year you loved to relate
that the moment of your birth
your mother glanced out the window
and saw lilacs in bloom. Well, today
lilacs are blooming in side yards
all over Iowa, still welcoming you.

***

Conversations with my parents have, from time to time, taken on these darker overtones. There've been talks of funeral plots and other things. Thankfully, I'm not yet so near those inevitable futures as to relate to this poem.

Wednesday, November 28, 2012

Why I'm Still Single 47

The Fantastic Ones

I hit a bit of a rut in my drawing recently. Basically, I ran out of ideas. I considered for a bit turning to the sketchbook generator, but I shelved that idea after remembering I haven't MADE one yet.

I remembered then going through this bizarre phase shortly after graduating from high school. I'd dedicated a lot of time then to developing characters for potential storytelling projects and had a slew of characters just kicking around in the back of my head. I'd moved on from reading and writing fantasy fiction, but I hadn't yet graduated to whatever came after that, so most of these characters were some strange amalgamation of wizards and superheroes. The characters had no real backstory, purpose, or personality. The VISUALS, though, were promising. So I've sketched up a few of them.


I'll admit that a lot of this character creation happened actually while I was serving a mission for the LDS church. As hard as I worked, I'll admit to spending a lot of time lost in idle thought. Missionaries, as you may not know, get BORED.

This character may or may not have been visually based on a girl I may or may not have had a crush on while serving the mission.


During that same period of time, I developed a bizarre obsession with cane umbrellas. Cane umbrellas are cool. They're also wildly impractical, which is how you know they're cool.


I'd never drawn a black character before, so I actually stressed a little over how to indicate a darker skin tone. I did a bit of research, and ultimately decided that whatever works for "Sparky" Schultz would be good enough for me.


Originally, this character was an adult white male. I sketched something that looked a bit more like a Japanese child, though, and decided I liked the look too much to switch up. So I gave him a jersey and shorts.

I don't know that having a Japanese boy turning into a giant monster could be considered racially insensitive or whatever, but I certainly hope not.

Tuesday, November 27, 2012

Braddy Reads The Thirteenth Tale


Part of me is bugged by self-referential art: movies about moviemaking, poems about poetry, rock songs about how great it is to rock. These particular expressions are good enough for those who are already fans of a genre, but how must they look to the potential convert? Doesn’t good art have the unspoken responsibility to proselytize to those unfamiliar with it?

I dunno.

Diane Setterfield’s The Thirteenth Tale is a book about books (as one can easily determine when, contrary to conventional wisdom, one judges the book by its cover). The story follows Margaret Lea, a bookstore employee and sometime biographer, after she is employed to write the life story of the reclusive Vida Winter, England’s premier novelist. What follows is a twisted, convoluted, and fascinating tale of hauntings, tragedies, and twins.

This is actually my second time reading The Thirteenth Tale. I’d recommended the book to a friend without ever reading it, based solely on the strength of the cover image. I picked the book up nearly a year later, shortly after graduating from college. I’ve remembered the book fondly since then, even though many of the particulars of the story, including the details surrounding the twist ending, have escaped me.

After re-reading The Thirteenth Tale, I can re-confirm what I’ve long told people when describing the story – it’s a more or less contemporary take on classic “haunted house” stories (I can’t help but think of Wuthering Heights when I read Setterfield’s novel). Whether you like the book or not would depend largely on how much you like that kind of literature.

A knowledge of classical literature, especially stories like Wuthering Heights, Jane Eyre, and The Turn of the Screw seems almost prerequisite. This is NOT a book for the initiate. One who doesn’t much care for reading will likely not get much out of The Thirteenth Tale... at least, not in my estimation. Perhaps I’m wrong there.

Avid readers, though? Those who like words and how they can line up in a sort of harmonious dance? Those readers will find a lot to like in The Thirteenth Tale. They will be reminded how great it is to rock.

Monday, November 26, 2012

The Evolution Will Be Digitized

Something’s missing. Simple as that. I feel like my priorities have been all askew, that I’ve focused too much on the accumulation of things and not enough on the cultivation of the soul, as it were. So I did a search on my brand-new iPad Mini for ways to become less materialistic…


Okay, that’s not true. It’s an anecdote I thought would be humorous, but I haven’t had the chance to use, since I don’t have an iPad Mini (yet – I’m saving my nickels already). The rest of the stuff above, though? Totally true.

I enjoy collecting things. All sorts of things. I’ve got bookshelves groaning under the weight of bargain-priced paperbacks and thick, hardcover art books alike. My T.V. stand is packed from one end to the other with DVD cases for films I haven’t watched in years. I have board games stuffed in my closet, waiting for the day I decide to finally start socializing again. I like stuff, and I spend most of my time trying to figure out how to get more of it.

And that makes me a terrible person, I’m sure.

But getting back to the iPad – and yes, there is a connection. I read a while back an article on a bit of controversy surrounding e-readers in the comics collecting community. Both Marvel and DC comics (and I assume all the little publishers no one but me cares about) have apps that allow the digital connoisseur to access and browse years, maybe decades, of old material. However, people who have e-readers don’t own these books. In fact, the terms of service for using these apps state that the big publishers can revoke a person’s access to the material they paid for for any reason.

Comics fans, of course, got upset. The comics community is one that has thrived limped along for years on the backs of the collector. Comics fans spend tons of money on collected volumes of their favorite stories, or alternate printings of individual issues with variant covers, or action figures of the most iconic characters. So, while the e-reader revolution provided these individuals with unprecedented access to the material they loved so much, it simultaneously revoked their right to own said material.

Honestly, I’m not sure that’s such a bad thing.

Let’s look at another, similar situation. The film industry seems to be trying to find a way to make a person pay for every time they choose to watch a movie. While home entertainment systems and streaming video have crippled big theaters, they have also granted movie studios a way to nickel-and-dime extra income out of their potential audiences. A person pays a dollar every time they get a movie from Redbox. Netflix has their charges, as well. Even someone who chooses only to stream movies and. T.V. shows through Netflix is still paying a monthly rate for that privilege. And, at the end of the day, the consumer owns nothing.

I’m a frequent patron of the city library system here in Salt Lake. On their front screen, a rotating image often displays the following quote:


The first time I read that quote, I bristled a bit. After all, I’m someone who loves his books. I like browsing the titles, gloating over every one I’ve read and looking forward with great anticipation to those I haven’t. Maybe the books are just the plate and not the food, as Adams says, but aren’t there people out there who collect plates?

Heh. I’m really not sure I want to be one of those people.

I think it’s possible that the digitalization of media removes a lot of the motivation to own things. Renting, or streaming, or whatever the @^$% you call it, seems to be cheaper, convenient, and hardly an inconvenience at all. Is it possible, then, that this new age of media distribution could cultivate a less materialistic attitude among the consumer population?

Heck if I know. I’m still saving up for my iPad Mini.

You Can't Unsee It


Attention, children of the 80s: I'm about to blow your mind.

If you're not ready to have your mind blown, then click away now.

...

...

...

...

...

...

...

...

...

...

...

Ready?


HUH!
Good God, y'all!
What is it good for?
Absolutely nothing!
Listen to me!
Ohh!


I despise
Because it means destruction
Of innocent lives.


It ain't nothing but a heartbreaker.


Friend only to the undertaker.
OOOOOOH!


HUH!
Good God, y'all!
What is it good for?
Stand up and shout it:
NOTHING!

Tuesday, November 20, 2012

Poem of the Week

Otherwise

I got out of bed
on two strong legs.
It might have been
otherwise. I ate
cereal, sweet
milk, ripe, flawless
peach. It might
have been otherwise.
I took the dog uphill
to the birch wood.
All morning I did
the work I love.

At noon I lay down
with my mate. It might
have been otherwise.
We ate dinner together
at a table with silver
candlesticks. It might
have been otherwise.
I slept in a bed
in a room with paintings
on the walls, and
planned another day
just like this day.
But one day, I know,
it will be otherwise.

***

Okay, so I'm not going to be here on Friday, cuz, you know, holiday or whatever. So I thought I'd share a Thanksgiving poem. You know, about gratitude.

The sad part, though, is that it eventually
was otherwise. Jane Kenyon passed away in 1995 at 47.

Friday, November 16, 2012

An Inception-Level Conspiracy

So last night I come home to find that there's been a case of vandalism at my parents' house. The house was truly a mess - plants in the yard had been completely destroyed, the sidewalks were covered with chalk and spray paint, and the car doors were dinged and dented. Most bizarrely, it seems someone opened up several cans of tuna fish and smeared the contents all over the exterior walls of the house. The mess would take hours to clean, a prospect incredibly demoralizing to both me and the rest of the family.

Only one thing took precedence: Tracking down the vandals.


In opening so many cans of tuna, the culprits had unwittingly made themselves easier to identify. They had left behind a trail of grease droplets to follow. We followed a trail of filthy smudges left on the sidewalk up the street, our heads lowered, oblivious to everything around us except the criminal's path. Soon we came across a bizarre sight on the ground. There, on the sidewalk, someone had sketched an image of Kurt Vonnegut's signature, with a mass of leaves from a fallen tree indicating the hair. Whoever left the trail knew we would follow. We had been lead to this point on purpose.


We raised our eyes and saw a house, even more damages than the one we had left. Trees had been completely felled, and the paint had been maliciously scraped from the siding. Filled with both anger and sadness, we set to work cleaning, while my mother went and knocked on the door.

I didn't hear the ensuing conversation between my mother and the woman inside, but it soon became clear that the woman wasn't happy, and it was more than the vandalism upsetting her. She was angry. In the only snippet of the conversation I could make out, I heard the woman say, "It's your fault."

Us! She was blaming us for the destruction! I couldn't believe it. We began to return home, all of us shocked that we were considered to be somehow complicit in everything. I could only conclude that, somehow, we were being framed.

Upon returning home, I found another trail of drops from the empty tuna cans, this one leading off in a different direction. Again, we eagerly followed the trail, hoping that, this time, we would be led to the true criminals. I guess we shouldn't have been surprised to find that we were again being toyed with. However, I don't think there was any way we could have been prepared for the sight at the end of the trail.

Underneath a large oak tree, someone had laid out a large buffet for us. There were trays loaded with fresh, juicy pineapple and watermelon, thin-sliced lunch meats, rolls and breads, and coolers full of soda. Hungry from our morning's exertions, we eagerly tucked in. I bit into a piece of pineapple, but in spite of the fruit's sweetness, I felt an unmistakable dread. I spat the fruit out, wiped my hand on my shirt, and moved quickly to the head of the buffet table.

There, in a plastic sleeve, written on a slip of yellow paper, was a typed note from the vandals:
You should have known that there would be no way for you to track us, unless we, the true supervillains, let you come our way. Now that you've worked so hard, it might be a good time for you to reevaluate your life and take a more pro-choice stance.
I crumpled the note and threw it on the ground. A more "pro-choice" stance? All the destruction, the suspicion, was spurred on by a political statement? I was furious - not just that the petty destruction was so personal in its focus, but that it was so misdirected. After all, I consider myself to be fairly "pro-choice." My adversary obviously had no idea what he was doing.

At once, the whole affair became maliciously stupid. The vandals, although meticulous in their plans, had at once proven their own witlessness. I wanted nothing more than to chase one of these wrong-headed social crusaders down and beat him around the head with my own fists.

***

At this point, some of you readers may have guessed that I dreamed this whole experience. I myself only became aware of this after hearing the voices of my roommates outside the door. I slowly rose from my bed. My eyes were clouded and bleary; I couldn't make out the time on the clock in my room. I stepped into the hallway and went to the kitchen, where the clock on the oven would be easier for me to read. It was about 5:00 - a little earlier than when I usually woke, but not so early that I could really think about going back to bed.

I opened the door to the refrigerator and shook my head. I had a half-gallon of milk, but no cereal. I didn't want to skip out on breakfast again, so I went to the pantry to see if I could scrounge something up. Then I saw a box of Golden Crisp cereal I had bought and then forgotten, stuffed way in the back of the pantry. I pulled it out and poured myself a bowl, and then I sat at the kitchen table to eat.


I heard steps come up the stairs. I blinked and looked up. My father rounded the corner and took a seat opposite me. Before I had the chance to say "good morning," he looked up at me, grinned, and said, "No one threatens my family."

I put my spoon down. Had the bizarre dream actually happened? Was there something actually going on, a conspiracy to match the one I thought I had only imagined? Was there, in fact, some knuckle-headed vandal I could wrap my fists around and pummel?

As it turns out, no, but my father had his own tale of vengeance to tell. He had been out the night previous with my sister-in-law and her child. My brother had gone out for work and asked my father if he would check in on the rest of the family. When my dad showed up, my brother's wife was shaken and visibly pale.

She had received a threatening phone call. This, my father would not abide. His eyes began to shine with excitement as he dove into his plan for vengeance. I gripped my spoon and bent in to listen. He went to a local phone store and bought a cheap phone. Then, with the caller's number in hand, he dialed the phone and...

***

Once again, I heard the sound of a roommate moving around outside my bedroom. I opened my eyes and got out of bed. A dream within a dream? I'd never had one quite like that before, one quite so vivid. I wondered almost absently if I were, perhaps, still dreaming.

I turned on the light and checked the time. It was 6:10. No more time for absent wondering - I was about to miss the bus.


Like so many dreams, the one I describe above contains snippets of real-life experiences. I watched a video that poked fun at Jessica Simpson's inability to understand tuna fish. I just recently read my first Kurt Vonnegut novel. I really DON'T have any cereal at home. But for there to be any deeper meaning... man, I don't know that I can connect THOSE dots, not with the largest pencil in the world.

Poem of the Week

John & Mary

John & Mary had never met. They were like
two hummingbirds who also had never met.
-from a freshman’s short story

They were like gazelles who occupied different
grassy plains, running in opposite directions
from different lions. They were like postal clerks
in different zip codes, with different vacation time,
their bosses adamant and clock-driven.
How could they get together?
They were like two people who couldn’t get together.
John was a Sufi with a love of the dervish,
Mary of course a Christian with a curfew.
They were like two dolphins in the immensity
of the Atlantic, one playful,
the other stuck in a tuna net –
two absolutely different childhoods!
There was simply no hope for them.
They would never speak in person.
When they ran across that windswept field
toward each other, they were like two freight trains,
one having left Seattle at 6:36 P.M.
at an unknown speed, the other delayed
in Topeka for repairs.
The math indicated that they’d embrace
in another world, if at all, like parallel lines.
Or merely appear kindred and close, like stars.

***

I stumbled across this poem recently, and... well, I don't know. Maybe it's just because I was in the middle of NaNoWriMo, but I found the whole idea that a stereotypically BAD bit of writing could be turned into something beautiful and meaningful.

Thursday, November 15, 2012

One Day


...I'll figure out how to get down from this ledge!

Since I've been thinking so much about lighting (and not, you know, actually PRACTICING shading or anything like that), I thought I'd try to draw something that required a bit of practice with lighting. A sunset seemed to be the best place to start.

Shading's a bit difficult to do when your only tool is to draw a line, but I gave it a go anyway. Not to toot my own horn, but... I think I made that water look pretty good.

Aaaaand with that, I just invited someone to comment, "That's supposed to be WATER?!"

If I were to go back and do this one again (which, actually, would be the THIRD time attempting this scene), I'd leave out the thicker lines in the water. They're a bit more distracting, and I think the thinner lines do a better job of portraying the light on the water by themselves.

Wednesday, November 14, 2012

Braddy Reads The Scarlet Pimpernel


About... geez, it must have been about 12 years ago, my parents took me and my siblings to see a production of the musical The Scarlet Pimpernel. From the beginning, I loved it - the music was stirring, the costuming engaging, and OH how I laughed at all the prancing foppery.

It's an excellent show, one I've seen at least four times since then. However, as much as I enjoyed the musical, I've had no exposure to the source material (or, for that matter, any of the movie adaptations). So, when I found myself in need of a book to read, I picked up this one, which has been sitting on my shelf for probably about two years.

The Scarlet Pimpernel by Baroness Orczy (seriously? Who names their kid "Baroness"?) tells the story of Marguerite St. Just, a French woman who marries incompetent oaf Sir Percy Blakeny and thus escapes the horrors of the French Revolution. She is compelled by a former acquaintance, a French spy named Chavelin, to seek out the identity of a man who has helped former aristocrats escape the judgment of the Revolution, a man who is only known by the name The Scarlet Pimpernel.

I'm not spoiling much when I give away the big surprise: The Pimpernel is actually Sir Percy, and his clueless foppishness is actually a clever ruse meant to divert suspicion. The Pimpernel's identity is pretty much common pop-culture knowledge by this point. In fact, the musical uses Percy's decision to take on the Pimpernel identity as its starting point. Thus the big reveal of the Pimpernel's identity, which comes about halfway through the novel, doesn't carry a lot of surprise anymore.

I enjoyed the book well-enough - it reads much like a simpler version of A Tale of Two Cities, only with more disguises - but I found myself questioning repeatedly the decisions made by Wildhorn and Knighton when they adapted the story to the stage. The novel tells the story completely from Marguerite's point of view, which I thought a much more interesting choice (though one that would be difficult to pull off in a stage setting.

Oh, and I'd be completely remiss if I did not mention that The Scarlet Pimpernel is essentially the ur-Batman.

As a novel, The Scarlet Pimpernel hasn't aged particularly well. It feels unnecessarily padded in certain parts, as if the writer were getting paid by the word. However, as a story, The Scarlet Pimpernel holds up fairly well. Marguerite's tension, her difficult decisions, feel significant. Hers is a story well-worth investing time in.

Big-Time Monster Hunter


Tails. Always getting smashed by giant hammers. That's why I don't have a tail anymore.

BONUS PIC:


This. Yes. This looks like a thing I should be drinking.

Tuesday, November 6, 2012

Magic Fishy in the Sea


Ponyo, Ponyo, la la la la la la laaaaa!

Okay, have you ever seen Ponyo? The movie is weeeeeeeird! But hey, it's pretty.

I thought I'd dabble in a bit more fan art. Don't know why, of all of Miyazaki's films, I chose to render soemthing from Ponyo. And... in hindsight, I should have framed this a little different.

An Autumn Adventure

Just got back from a lovely lunch break. I went out for a walk, with my copy of The Scarlet Pimpernel under my arm. As I read, I waded through a lake of dried autumn leaves, got a good clean lungful of crisp air, and said to myself, "Yup. I should probably start my NaNoWriMo project this year."


You didn't think I'd forgotten, did you? After all, noormally by this time I've doubled the size of the internet with incessant posts about how my NaNoWriMo novel is coming. Sharp-eyed readers may have noticed that we're about a week into November, and I haven't posted a single thing.

Sadly, that's not because I finally realized that no one really cares how much writing I got done last night. Rather, this year I'm taking a new approach to NaNoWriMo.

I'm going to do it all in a week.

Okay, that's probably not exactly how things will shake out, but that's goal. I've saved up some vacation time, and I'll be taking a week off from my full-time job. Starting tomorrow, and lasting until next Tuesday, I will live the life of a full-time novelist, substituting my writing desk for the daily commute and pajama pants for grooming.

Seriously, guys, I'm so excited!

I won't be around the ol' Bloggerverce or Facebookville for the next week or whatever, so I won't be flooding everybody's RSS feeds with dithering updates like I've done in the past. Here's the only tidbit I plan on posting on this year's project before the finish:
Dr. Henry Stag sells patent medicines guaranteed to cure whatever ails you, and he'll back up that guarantee for as long as he is in town. Usually about a week. But how long can Dr. Stag stay in business when a mysterious stranger opens up shop, selling miracle cures that actually work?
Wish me luck!

Monday, November 5, 2012

Cooking with Braddy: Fake Curry


Real curry is made from fine ingredients – whole tomatoes, freshly-diced onions and ginger, and thick, plump pieces of chicken.

Fake curry is made from years-old canned tomato sauce and whatever leftover spices I have in the cupboard. If I have some old canned potatoes and a frozen chicken thigh, then all the better.

I mean, come on: Doesn't that just LOOK like the most appetizing curry you've seen?

Catching Up with the Classics: Sherlock Jr.


Do you have ANY idea how difficult it was to find this picture when there's a fairly famous "junior" out there playing Mr. Holmes right now?

I almost didn’t count this one. After all, my purpose behind Catching Up with the Classics is to find new things to love. And, well, I kind of already love Buster Keaton.

I mean, what’s not to love? He’s this tiny, adorable man who’s always unlucky in love and hard on his luck. He runs and jumps and fights and scraps, and he never changes his expression. It’s a very special kind of comedy, and one I love deeply.

However, I’d never seen Sherlock Jr., and it regularly makes “Best Movies of All-Time” lists. So I guess from that perspective, it totally counts.

Well, to no one’s surprise, this movie’s pretty awesome. There are some fantastic camera tricks that, even today, are worthy of applause. Back in the day, I can only imagine what the response would be like.

And the stunts… There wasn’t much along the lines of special effects back in the day. A lot of tricks in movies we take for granted nowadays – things like jumps from great heights and wild acrobatics often – are often brushed aside as camera tricks or wireworks. Sometimes, when you get a chance to see those kinds of stunts without dramatic angles or visible wires, you respect them a lot more. And that’s certainly the case with Sherlock Jr.

I don’t want to give away the final scene for anyone who hasn’t seen it – it’s not one of the great film endings of City Lights or Gone with the Wind or whatever, but there’s still something lovable about watching poor, hapless Buster trying to mimic what he sees on the screen in his own love life. I’m sure there’s some critical analysis I could do here regarding the way film instructs life or something like that, but, for now, I’ll just enjoy a good movie.

You should, too.

Friday, November 2, 2012

Braddy Reads Curry: A Tale of Cooks and Conquerors


We could use more history texts like this one.

Once upon a time, I attended a religious class, where the instructor spoke about Christ administering the sacrament. He said the reason bread and wine were used were to endow everyday items with significant spiritual lessons. This way, whenever a disciple of Jesus looked at a loaf of bread, they would be compelled to think of him.

I bring that lesson up because that's the approach I see in Lizzie Collingham's Curry: A Tale of Cooks and Conquerors. It's a history textbook that illustrates how the culture of India evolved as foreign influences entered the country. And it tracks those changes through a close analysis of Indian food.

So there are a lot of recipes in the book - many of which are pretty involved. That's pretty cool. For me, though, the real draw here is the connections between food and history. For example, it turns out that peppers, a common ingredient in Indian cooking, were first brought to India by Portugese traders.

The biggest problem I had with the text is actually in the vocabulary. I'm not overly familiar with the region or the history, so I wasn't familiar with a lot of the place names or the different ways of referring to royalty. I took a course on Middle Eastern history once, so that helped a little when the Muslims appeared on the scene. Otherwise, I floundered a bit.

But that's what reading's for, I guess - learning something new, and sometimes getting in over your head. Although I have to say, the thought of getting into curry over my head is appealing. Sticky, and probably hot, but appealing.

Poem of the Week

The Cinnamon Peeler's Wife

If I were a cinnamon peeler
I would ride your bed
and leave the yellow bark dust
on your pillow.

Your breasts and shoulders would reek
you could never walk through markets
without the profession of my fingers
floating over you. The blind would
stumble certain of whom they approached
though you might bathe
under rain gutters, monsoon.

Here on the upper thigh
at this smooth pasture
neighbor to your hair
or the crease
that cuts your back. This ankle.
You will be known among strangers
as the cinnamon peeler’s wife.

I could hardly glance at you
before marriage
never touch you
– your keen nosed mother, your rough brothers.
I buried my hands
in saffron, disguised them
over smoking tar,
helped the honey gatherers…

When we swam once
I touched you in water
and our bodies remained free,
you could hold me and be blind of smell.
You climbed the bank and said

this is how you touch other women
the grasscutter’s wife, the lime burner’s daughter.
And you searched your arms
for the missing perfume.
and knew
what good is it
to be the lime burner’s daughter
left with no trace
as if not spoken to in an act of love
as if wounded without the pleasure of scar.

You touched
your belly to my hands
in the dry air and said
I am the cinnamon
peeler’s wife. Smell me.

***

I've posted a lot of fairly erotic poetry. I guess poets are really good about writing sex - which seems completely counter to my experience. Every time I told a girl I wrote poetry, they kinda zoned out.

What makes "The Cinnamon Peeler" so effective for me is the constant reference to the smell of cinnamon, the way it marks, not just the woman in the poem, but the speaker. He is a tradesman, a worker in cinnamon, and his trade follows him everywhere, marks everything he touches. At last, when he marries his love, he finds the smell transfers to her, and she's glad to have it.

This may be the only successful usage of the phrase "Smell me" in a sexy context.