Ever have an uneventful Saturday night, where you hit the streets with money in your pocket that you just have to spend? That's the situation I found myself in this past weekend, and I walked away with a pretty impressive collection of Alfred Hitchcock movies.
Should make meeting my goal a little easier.
Rear Window is the first movie in my remedial Hitchcock education. I'm quickly getting to the point where I can call myself a Hitchcock "fan." The unusual cinematography created a unique movie-watching experience - nearly everything is shot from within a single room, which cultivates a claustrophobic and paranoid atmosphere. And speaking of paranoia, Jimmy Stewart does paranoia very well in a role QUITE different from the one I'm used to seeing him in.
Hitchcock is a master of suspense, and the suspense is strong in Rear Window, especially near the conclusion. Unfortunately, that suspense may be the film's biggest weakness (possibly a weakness in ALL Hitchcock films - I'll have to let you know later). Suspense compels the viewer to fear for the life/well-being/sanity of the protagonist; however, when we already know how things will end, suspense loses it's power over us. I worry that the several long, drawn-out scenes will bore me on a second viewing.
However, we're talking about the FIRST viewing today, and that was a good one. In my mind, Rear Window is an obvious classic, and well worth a look if you haven't seen it.
1 comment:
Rear Window is one of my all time favorite movies. I never get tired of it.
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